“Palace/Curse” is one of the most versatile records on The Internet’s Ego Trip, both for its midway switch up and its ability to bend into a break up record, party jam, and slowed out love song. Our first entry wherein Tyler’s ear for sexy chord progression bears magical fruit. It’s an example of the kid scaling back the lyrical shock and awe, and imbuing that ethic in the music itself. In a hip-hop world dominated by swampy trap, Tyler’s penchant cinematic sonics leans into that oft-trodden darkness without rehearsing the same sounds as his counterparts. ![]() “Who Dat Boy” feels like a landmark song that showcased not just Tyler’s adroit horror film hip-hop techniques - plucky strings and low rumble synths could’ve been a Get Out B-side - but also his pop viability.
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